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New-York Historical Society
John Sloan (American, 1871–1951), “A Slight Attack of Third Dimentia [sic] Brought on by Excessive Study of the Much-talked of Cubist Pictures in the International Exhibition at New York.” The Masses, 4, no. 7 (April 1913). Beinecke Rare Book and Manuscript Library, Yale University
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Odes to the Armory Show

by Kim Orcutt
February 11, 2014
Walter Pach, ca. 1909. Photograph by Pach Brothers Studio. Walter Pach Family papers, Archives of American Art, Smithsonian Institution.
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Walter Pach: European Agent for the Armory Show

by Megan Fort, Ph.D. Research Assistant
February 4, 2014
William Roege (1893–1970), Times Square at 47th Street, New York City, 1914. Digital photograph from original glass plate negative. New-York Historical Society
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Advertising in the Age of the Armory Show

by Chandler Jenrette, Research Assistant
January 28, 2014
Stuart Davis (American, 1892–1964), Babe La Tour, 1912. Watercolor and pencil on paper, 15 × 11 in. (38.0 × 28.0 cm). Smithsonian American Art Museum, Gift of Henry H. Ploch, 1983.84. Art © T.H. Benton andR.P. Benton Testamentary Trusts/UMB Bank Trustee/Licensed by VAGA, New York, N.Y.
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“The greatest single influence I have experienced in my work”: Stuart Davis and the Armory Show

by Eva Gratta
January 21, 2014
George Bellows (American, 1882-1925). Little Girl in White (Queenie Burnett), 1907. Oil on canvas. National Gallery of Art, Washington, Collection of Mr. and Mrs. And Paul Mellon, 1983.1.2
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The Villain of the Armory Show?

by Kim Orcutt
January 14, 2014
86811d_WoolworthBldg1913
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The Monumental City

by Max Page, Associate Professor of Architecture and History, University of Massachusetts Amherst
January 7, 2014
Marcel Duchamp (French, 1887–1968), Nude Descending a Staircase (No. 2), 1912. Oil on canvas, 57⅞ × 35⅛ in. (147 × 89.2 cm). Philadelphia Museum of Art: The Louise and Walter Arensberg Collection, 1950, 1950-134-59
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A Dialogue of Nudes

by Kim Orcutt
December 31, 2013
13.2-John_WayDowntoSea-Tate-80
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Augustus John: A True Bohemian

by Megan Fort, Ph.D. Research Assistant
December 24, 2013
Paul Cézanne (French, 1839–1906), View of the Domaine Saint-Joseph, late 1880s. Oil on canvas, 25⅝ × 32 in. (65.1 × 81.3 cm). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1913 (13.66)
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A Landmark Acquisition

by Shannon Vittoria, Research Assistant
December 17, 2013
Randolph Bourne, n.d. Randolph Bourne papers, Columbia University, MS #0138, box 8. Rare Book and Manuscript Library, Columbia University in the City of New York
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The Young Intellectuals

by Casey Nelson Blake, Professor of History, Columbia University and Senior Historian, The Armory Show at 100
December 10, 2013
Robert Henri (American, 1865–1929), Figure in Motion, 1913. Oil on canvas, 77¼ × 37¼ in. (196.2 × 94.6 cm). Terra Foundation for American Art, Chicago, Ill., Daniel J. Terra Collection, 1999.69
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Robert Henri’s Manifesto

by Kim Orcutt
December 3, 2013
The Kid Auto Race in Venice, 1914. U.S.A. Directed by Henry Lehrman. Keystone Film Co.
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The Moving Pictures in 1913

by Maura Spiegel, Senior Lecturer, Columbia University
November 26, 2013
Amadeo de Souza-Cardoso (Portuguese, 1887–1918), The Stronghold, 1912. Oil on canvas, 36⅜ × 24 in. (92.4 × 61 cm). Arthur Jerome Eddy Memorial Collection, 1931.512, The Art Institute of Chicago
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An Unexpected Success

by Shannon Vittoria, Research Assistant
November 19, 2013
Lewis Wickes Hine (1874–1940), Climbing Into America, Ellis Island, 1905. Gelatin silver print. George Eastman House, Gift of the Photo League, New York
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Trans-national New York

by Casey Nelson Blake, Professor of History, Columbia University and Senior Historian, The Armory Show at 100
November 12, 2013
Jacques Villon (French, 1875–1963), Young Girl, 1912. Oil on canvas, 57 9/16 × 45 in. (146.2 × 114.3 cm). Philadelphia Museum of Art: The Louise and Walter Arensberg Collection, 1950, 1950-134-190
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A Trip to Paris that Changed History

by Kim Orcutt
November 5, 2013
Walter Arensberg, 1928. Signed passport photograph. From Francis M. Naumann, New York Dada, 1915–23 (New York: Harry N. Abrams, 1994), p. 23
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A Couple Collects: Louise and Walter Arensberg

by Shannon Vittoria, Research Assistant
October 29, 2013
Constantin Brancusi (Romanian-French, 1876–1957), Mademoiselle Pogany, 1912–13. Plaster, 17¾ × 9 in. (45 × 23 cm). Musée National d’Art Moderne, Centre Georges Pompidou, Paris
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“The kind of man I’m giving the show for”

by Megan Fort, Ph.D. Research Assistant
October 24, 2013
Jessie Tarbox Beals (1870–1942), Grace Godwin’s Garret, Greenwich Village, ca. 1917. Gelatin silver print. New-York Historical Society
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The Rise and Fall of Greenwich Village

by Casey Nelson Blake, Professor of History, Columbia University and Senior Historian, The Armory Show at 100
October 22, 2013
Alek Sass, “Nobody Who Has Been Drinking Is Let in to See This Show.” New York World, February 17, 1913, 16. General Research Division, The New York Public Library, Astor, Lenox and Tilden Foundations
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The European Avant-Garde: Insane or Insincere?

by Eva Gratta
October 17, 2013
Vincent van Gogh (Dutch, 1853–1890), Mountains at Saint-Rémy (Montagnes à Saint-Rémy), 1889. Oil on canvas, 28¼ × 35¾ in. (71.8 × 90.8 cm). Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Justin K. Thannhauser, 1978, 78.2514.24
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“Trinity of Modern Painting”

by Marilyn Kushner
October 15, 2013
Oscar Cesare (Swedish-American, 1885–1948), “Crowd Before ‘Nude Descendant un Escalier’ by Marcel Duchamp,” in “What Cesare Saw at the Armory Art Show,” The Sun (New York), February 23, 1913, p. 11. From the Library of Congress, Chronicling America: Historic American Newspapers
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“The exquisite, the vulgar, from all walks of life they came”

by Kim Orcutt
October 10, 2013
Pablo Picasso (French, 1881–1973), Gertrude Stein, 1906. Oil on canvas, 39⅜ × 32 in. (100 × 81.3 cm). The Metropolitan Museum of Art, New York. Bequest of Gertrude Stein, 1946 (47.106)
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Gertrude Stein and the Armory Show

by Susan Hegeman, Professor of English, University of Florida
October 8, 2013
Alexander Archipenko (Ukranian-American, 1887–1964), Repose, 1911. Painted plaster, 13½ × 15¼ × 9¾ in. (34.3 × 38.7 × 24.8 cm). Frances Archipenko Gray Collection
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“But what are we to say to the sculpture of Archipenko?”

by Shannon Vittoria, Research Assistant
October 3, 2013
rite-of-spring
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“The Rite Of Spring”

by Julia L. Foulkes, Associate Professor of History, The New School
October 1, 2013
The cover of the Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler catalogue, 1912. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution
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“I wish we could have as good a show as…”

by Kim Orcutt
September 26, 2013
George P. Hall & Son Photographers (active 1875-1911), 69th Armory at Lexington and 25 Street, ca. 1906-11. Gelatin silver print from glass plate negative. New-York Historical Society
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Remembering the “Armory” in the Armory Show

by Max Page, Associate Professor of Architecture and History, University of Massachusetts Amherst
September 24, 2013
Harvey Peake, “Why Not Let the Cubists and Futurists Design the Spring Fashions?,” New York World, March 16, 1913. American Newspaper Repository, David M. Rubenstein Rare Book and Manuscript Library, Duke University
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“Styles That Really Startle”: The “New Art” and Women’s Fashions of 1913

by Eva Gratta
September 19, 2013
Provincetown Playhouse, 133 MacDougal Street, New York, 1927. Collection of Jeffery Kennedy
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The Provincetown Players Lead American Theatre into the Modern Era

by Jeff Kennedy, Assistant Professor of Interdisciplinary Arts and Performance, Arizona State University
September 17, 2013
Unknown photographer, Arthur Jerome Eddy. Frontispiece to Arthur Jerome Eddy, Property (Chicago: A.C. McClurg & Co., 1921). General Research Division, The New York Public Library, Astor, Lenox and Tilden Foundations
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Buying Bold: Arthur Jerome Eddy at the Armory Show

by Shannon Vittoria, Research Assistant
September 12, 2013
Odilon Redon (French, 1840–1916), Head of Orpheus, ca. 1903–10. Pastel on paper, 27⅛ × 22⅜ in. (68.8 × 56.8 cm). Musée Fabre de Montpellier Agglomeration, France
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The overwhelming appeal of Odilon Redon

by Megan Fort, Ph.D. Research Assistant
September 10, 2013
Katherine Sophie Dreier (American, 1877–1952), Landscape with Figures in Woods, ca. 1911–12. Oil on canvas, 27 ¼ x 19 in. (69.2 x 48.3 cm). Gift from the Artist’s Estate, Michele and Donald D’Amour Museum of Fine Arts, Springfield, Massachusetts
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Identifying a painting by Katherine Dreier

by Megan Fort, Ph.D. Research Assistant
September 5, 2013
Receipt for $1 Contribution to the Progressive Party Campaign, 1912 Offset photography and typeset
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An Amendment for the Progressive Era

by Chandler Jenrette, Research Assistant
September 3, 2013
Walt Kuhn letter to Vera Kuhn, October 28, 1912. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution
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Walt Kuhn tells the Story of the Armory Show

by Kim Orcutt
August 27, 2013
Winsor McCay (American, 1867–1934), Little Nemo comic strip, New York Herald, January 2, 1910. From the Library of Congress, Chronicling America: Historic American Newspapers
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The Picasso of the Comic Strip

by Daniel H. Borus, Professor of History, University of Rochester
August 20, 2013
F. Griswold, “The Rude Descending a Staircase (Rush Hour at the Subway),” New York Evening Sun, March 20, 1913. General Research Division, The New York Public Library, Astor, Lenox and Tilden Foundations
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Burlesquing the Armory Show: Cartoons, Spoofs, and Parodies

by Shannon Vittoria, Research Assistant
August 13, 2013
Agnes Pelton (American, 1881–1961), Vine Wood, ca. 1910. Oil on canvas, 18 × 14 in. (45.7 × 35.6 cm). Collection of Alec H. Esker, Yuma, Arizona
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Agnes Pelton’s Visual Poetry

by Megan Fort, Ph.D. Research Assistant
August 6, 2013
Unknown photographer, Lillie P. Bliss. The Museum of Modern Art, New York. Bliss Family Papers, New York
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Lillie P. Bliss

by Shannon Vittoria, Research Assistant
July 23, 2013
Oscar Bluemner (German-American, 1867–1938), Aspiration, Winfield, 1911–17. Oil on canvas, 20 × 30 in. (50.8 × 76.2 cm). Private Collection: Courtesy of Barbara Mathes Gallery, New York
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A truly exciting discovery

by Megan Fort, Ph.D. Research Assistant
July 17, 2013
International Exhibition of Modern Art (New York: Association of American Painters and Sculptors, 1913), p. 49. New-York Historical Society
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Finding needles in haystacks

by Megan Fort, Ph.D. Research Assistant
July 11, 2013
Georges Braque (French, 1882–1963), The Port of Antwerp (Le Port d’Anvers), 1906. Oil on canvas, 19⅞ × 24¼ in. (50.5 × 61.5 cm). Emanuel Hoffmann Foundation, permanent loan to the Öffentliche Kunstammlung Basel, Acc. No. H 1935.1
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The Cubists versus the Fauves

by Kim Orcutt
July 9, 2013
Edward Steichen (American, 1879–1973), Alfred Stieglitz at 291, 1915. Coated gum bichromate over platinum print, 11 5/16 × 9½ in. (28.8 × 24.2 cm). The Metropolitan Museum of Art, New York, Alfred Steiglitz Collection, 1933 (33.43.29)
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“I decided to buy it”: Alfred Stieglitz at the Armory Show

by Shannon Vittoria, Research Assistant
July 2, 2013
Armory Show postcard with reproduction of Andrew Dasburg's Lucifer, 1913. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution
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Postcards for sale!

by Megan Fort, Ph.D. Research Assistant
June 25, 2013
Elmer L. MacRae (American, 1875–1953), Battleships at Newport, 1912. Oil on canvas, 30 × 39⅛ in. (76.2 × 99.1 cm). Courtesy of the Biggs Museum of American Art, Dover, Delaware
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An Unsung Armory Show Hero

by Kim Orcutt
June 18, 2013
Robert Edmond Jones, The Pageant of the Paterson Strike, Madison Square Garden, New York, June 7, 1913. Tamiment Library and Robert F. Wagner Labor Archives, New York University
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“A New Social Art”: The Paterson Strike Pageant

by Casey Nelson Blake, Professor of History, Columbia University and Senior Historian, The Armory Show at 100
June 4, 2013
Bodies in Motion
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Bodies in Motion

by Julia L. Foulkes, Associate Professor of History, The New School
May 28, 2013
Association of American Painters and Sculptors, Inc., International Exhibition of Modern Art, exh. cat. (New York: 1913), cover
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The Armory Symbol

by Eva Gratta
May 21, 2013
Irving Browning (1895-1961). [Palace Theatre Entrance], 1928. Gelatin silver print. New-York Historical Society, Browning Photograph Collection, PR 09
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“The Valhalla of Vaudeville”

by Chandler Jenrette, Research Assistant
May 14, 2013
Wassily Kandinsky (Russian, 1866–1954), Improvisation 27 (Garden of Love II), 1912. Oil on canvas, 47⅜ × 55¼ in. (120.3 × 140.3 cm). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.70.1)
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What about Stieglitz?

by Megan Fort, Ph.D. Research Assistant
May 7, 2013
A diagram of the exhibition set-up at the Copley-Society included in a letter Walt Kuhn sent to Vera Kuhn, April 5, 1913. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution
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The Armory Show Lands with a Thud in Boston

by Kim Orcutt
April 30, 2013
Unknown photographer, John Quinn at the Sleepy Hollow Club in Westchester, New York, ca. 1915. Aline and Eero Saarinen papers, Archives of American Art, Smithsonian Institution
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John Quinn, A “Noble Buyer” at the Armory Show

by Shannon Vittoria, Research Assistant
April 23, 2013
Association of American Painters and Sculptors Domestic Art Committee record book, 1913. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution
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The Big Question

by Kim Orcutt
April 16, 2013
Robert W. Chanler (American, 1872–1930), Leopard and Deer, 1912. Gouache or tempera on canvas, mounted on wood, 76½ × 52½ in. (194.3 × 133.4 cm). Rokeby Collection
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The Fantastic Robert Winthrop Chanler

by Megan Fort, Ph.D. Research Assistant
April 9, 2013
James P. Hall, [Ebbets Field Grand Stand], 1913, modern gelatin silver photograph made from original negative, New-York Historical Society
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“A Great Stand of Steel and Concrete”

by Chandler Jenrette, Research Assistant
April 2, 2013
“Students Burning Futurist Art and Celebrating Cubists’ Departure,” Chicago Daily Tribune, April 17, 1913
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“Matisse” Burns in Chicago

by Kim Orcutt
March 26, 2013
Grand Central Terminal, ca. 1913. Gelatin silver print. New-York Historical Society
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Grand Central Terminal Celebrates its Hundredth Anniversary

by Chandler Jenrette, Research Assistant
March 19, 2013
Percy Rainford, Armory Show artists at dinner, 1913. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution
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“Friends and Enemies” Celebrate the Armory Show

by Kim Orcutt
March 12, 2013
Image Courtesy of The Armory Show
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Which Armory Show??

by Megan Fort, Ph.D. Research Assistant
March 5, 2013
Blue Nude, 1907.
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Henri Matisse, Armory Show radical

by Kim Orcutt
February 19, 2013
1.1-ArmoryExteriorAAA_kuhnwalt_23624
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“History of Modern Art at the International Exhibition Illustrated by Paintings and Sculpture,” New York Times, February 23, 1913

by Marilyn Kushner
February 12, 2013
View of Manhattan South from the Manhattan Bridge, 1913
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New York and the Armory Show

by Louise Mirrer
February 6, 2013

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  • Odes to the Armory Show
    The avant-garde European paintings and sculptures at the 69th Regiment Armory inspired […]

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